2,593 Free Artworks of Samuel Putnam Avery

samuel putnam avery collectionromanticism,rococolos desastres de la guerra, nypletchings by charles meryon in the new york public libraryles graveurs du dix-neuvième siècle (henri beraldi)westminster bridge in artelizabeth tower in artprints of geese in nyplprints in the new york public librarylos caprichos, nypl
Frontispiece for New Works by Champfleury., 1854
samuel putnam avery collection
Frontispiece for the Satires of Amedée Marteau., 1854
samuel putnam avery collectiongoat riding in art
Unpublished title for Civic Poems by A. France., 1854
samuel putnam avery collection
Frontispiece vignette after Asselineau for] The Paradise of Men of Letters [by Ch. Asselineau.], 1854
samuel putnam avery collection
Inscription in pencil by George Lucas (?), 1799
samuel putnam avery collectionlos caprichos, nypl
Por una nabaja., 1810
samuel putnam avery collectionromanticism,rococo
Duro es el paso!, 1810
samuel putnam avery collectionromanticism,rococo
Esto es lo peor!, 1810
los desastres de la guerra, nyplsamuel putnam avery collection
Couple de faisans., 1890
samuel putnam avery collectionpheasants in art
Será lo mismo., 1810
samuel putnam avery collectionromanticism,rococo
Tanto y mas., 1810
samuel putnam avery collectionromanticism,rococo
Farándula de charlatanes., 1810
samuel putnam avery collectionromanticism,rococo
Fuerte cosa es!, 1810
samuel putnam avery collectionromanticism,rococo
Qué alboroto es este?, 1810
los desastres de la guerra, nyplsamuel putnam avery collection
Esta no lo es menos., 1810
samuel putnam avery collectionromanticism,rococo
Escapan entre las llamas., 1810
samuel putnam avery collectionromanticism,rococo
Para eso habeis nacido., 1810
samuel putnam avery collectionromanticism,rococo
Contra el bien general., 1810
samuel putnam avery collectionromanticism,rococo
Curarlos, y á otra., 1810
samuel putnam avery collectionromanticism,rococo
Aun podrán servir., 1810
samuel putnam avery collectionromanticism,rococo
Estragos de la guerra., 1810
samuel putnam avery collectionromanticism,rococo
Nada. Ello dirá., 1810
samuel putnam avery collectionromanticism,rococo
Ni por esas., 1810
samuel putnam avery collectionromanticism,rococo
El buitre carnívoro., 1810
samuel putnam avery collectionromanticism,rococo
Winter in Paris or Snow in Paris., Félix Buhot, 1874
winter in paris1879 in paris
National Day on Boulevard de Clichy., 1874
historical images of boulevard de clichycelebrations
National Day on Boulevard de Clichy., 1874
historical images of boulevard de clichycelebrations
Bedside of St. Martin-sur-Renelle., 1851
église saint-martin-sur-renellesamuel putnam avery collection
Bedside of St. Martin-sur-Renelle., 1851
église saint-martin-sur-renellesamuel putnam avery collection
National Day on Boulevard de Clichy., 1874
historical images of boulevard de clichycelebrations
Winter in Paris or Snow in Paris., Félix Buhot, 1874
winter in paris1879 in paris
Let us love,] spring is divine [(after a group by Rodin)]., Auguste Rodin, 1885
modern art,symbolismkisses in art
Let us love, spring is divine (from a group by Rodin)., Auguste Rodin, 1885
modern art,symbolismkisses in art
Fran.co Goya y Lucientes, painter., Francisco Goya, 1799
samuel putnam avery collectionromanticism,rococo
Sad forebodings of what is to come., 1810
samuel putnam avery collectionromanticism,rococo
They say yes and extend their hand to the first person who arrives., 1799
samuel putnam avery collectionromanticism,rococo
Joueurs de billard (2nd state) (NYPL b13484952-ps prn cd13 183)-Crop 1, 1866
samuel putnam avery collectionbilliards in paris
The street of Toiles, in Bourges., 1851
etchings by charles meryon in the new york public librarysamuel putnam avery collection
The sheepfolds, setting sun., 1874
sheep in artfarms
The cliff: Saint-Malo bay., 1874
cliffsbays
Old dwelling in Bourges., 1851
etchings by charles meryon in the new york public librarysamuel putnam avery collection
The street of Toiles, in Bourges., 1851
etchings by charles meryon in the new york public librarysamuel putnam avery collection
The cliff: Saint-Malo bay., 1874
cliffsbays
Ruins of Pierrefonds Castle., 1851
etchings by charles meryon in the new york public librarysamuel putnam avery collection
The cliff: Saint-Malo bay., 1874
cliffsbays
La dame aux cygnes., Félix Buhot, 1874
swimming swans in artprints of swans
La Société d'Acclimation., 1854
samuel putnam avery collection
Aug. Vacquerie., 1890
les graveurs du dix-neuvième siècle (henri beraldi)samuel putnam avery collection
B. Lorentz., 1890
les graveurs du dix-neuvième siècle (henri beraldi)samuel putnam avery collection
Le garroté., 1778
samuel putnam avery collectionexecutions by garrote
Lo mismo en otras partes., 1810
samuel putnam avery collectionromanticism,rococo
Westminster Bridge or Westminster Clock Tower., 1874
samuel putnam avery collectionwestminster bridge in art
Les oies., 1874
prints in the new york public libraryprints of geese in nypl
Westminster Bridge or Westminster Clock Tower., 1874
samuel putnam avery collectionwestminster bridge in art
Environs de Gravesend., 1883 [1] (was 1874)
ships in kentsteamboats
Château de Chenonceau., 1851
etchings by charles meryon in the new york public librarysamuel putnam avery collection
Plan du combat de Sinope., 1851
etchings by charles meryon in the new york public librarysamuel putnam avery collection
Westminster Bridge or Westminster Clock Tower., 1874
samuel putnam avery collectionwestminster bridge in art
Les oies., 1874
prints in the new york public libraryprints of geese in nypl
Les oies., 1874
prints in the new york public libraryprints of geese in nypl
Les oies., 1874
prints in the new york public libraryprints of geese in nypl
Westminster Bridge or Westminster Clock Tower., 1874
samuel putnam avery collectionwestminster bridge in art
How Panurge made the Englishman quinaud who argued by signs, book II, ch. XX., 1854
samuel putnam avery collection
A horseman wearing a turban, holding a flag., 1854
samuel putnam avery collection
[A peasant on a cart in a fold of land.], 1854
samuel putnam avery collectionprints of horses in the nypl
How Panurge made the Englishman quinaud who argued by signs, book II, ch. XX., 1854
samuel putnam avery collection
Frontispiece for the Odes funambulesques, by Th. de Banville., 1854
samuel putnam avery collection
Title for The Trestles, by Charles Monselet., 1854
samuel putnam avery collection
How Panurge takes advice from Epistemon, book III, ch. XXIIII., 1854
samuel putnam avery collection
[The speech made by Gallet to Picrochole, book I, ch. XXXI.], 1854
samuel putnam avery collection
A landscape, and in the top left a sort of tribune... (margins cleaned)., 1854
samuel putnam avery collection
[A man leaning on a balustrade, a woman passing in the background, evening effect in a park.], 1854
samuel putnam avery collection
Grippe-minaud Archduke of the Cats-Furrez, book V, ch. XI., 1854
samuel putnam avery collection
Frontispiece for the Odes funambulesques, by Th. de Banville., 1854
samuel putnam avery collection
[A man sitting at the foot of a tree, facing right.], 1854
samuel putnam avery collection
[The Tempest, book IV, ch. XIX.], 1854
samuel putnam avery collection
How Panurge drowned the merchant and the sheep at sea, book IV, ch. VIII., 1854
samuel putnam avery collectionpantagruel
Of Gargantua's Adolescence, Book I, ch. XI., 1854
samuel putnam avery collection
[An old peasant presents a handful of hay to his donkey.], 1854
samuel putnam avery collectionprints of donkeys
Papegaut, cardingaux, euesgaux, monagaux, book V, ch. III., 1854
samuel putnam avery collection
The [swan pond at] the Jardin des Plantes., 1854
historical images of the jardin des plantes de parissamuel putnam avery collection
[The Tempest, book IV, ch. XIX.], 1854
samuel putnam avery collection
[A landscape, and in the top left a sort of tribune... (dirty margins).], 1854
samuel putnam avery collection
Thumbnail on the title of The Blue Room, a short story dedicated to Madame de la Rhune., 1854
samuel putnam avery collectionworks by prosper mérimée
Unpublished frontispiece for The sermons of Father Gavazzi, chaplain to Garibaldi., 1854
les graveurs du dix-neuvième siècle (henri beraldi)samuel putnam avery collection
Of Gargantua's Adolescence, Book I, ch. XI., 1854
samuel putnam avery collection
How Panurge takes advice from Epistemon, book III, ch. XXIIII, 1854
samuel putnam avery collection
On the right, a kind of inn...., 1854
samuel putnam avery collection
On the same plate: Paris and Helen; Two ladies looking at a term in a park; A soldier and a woman., 1854
samuel putnam avery collection
Papegaut, cardingaux, euesgaux, monagaux, book V, ch. III., 1854
samuel putnam avery collection
Grippe-minaud Archduke of the Cats-Furrez, book V, ch. XI., 1854
samuel putnam avery collection
How Panurge fell in love with a high lady of Paris, book II, ch. XXI., 1854
samuel putnam avery collection
[The speech made by Gallet to Picrochole, book I, ch. XXXI.], 1854
samuel putnam avery collection
And all for the tripe, book IV, ch. LVII., 1854
samuel putnam avery collection
Frontispiece-title: the City of Paris, allegorical character., 1854
coats of arms of paris in artpersonifications of paris
Frontispiece for Popular Songs from the Provinces of France., 1854
samuel putnam avery collection
How Panurge drowned the merchant and the sheep at sea, book IV, ch. VIII., 1854
samuel putnam avery collectionpantagruel (novel)
Deer at the Fountain (published in L'Artiste)., 1854
samuel putnam avery collectiondeer in art
This meanwhile he pisses to let go of his belly, book I, ch. XXXVI., 1854
samuel putnam avery collection
And all for the tripe, book IV, ch. LVII., 1854
samuel putnam avery collection
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